TRADITIONAL INDIAN DANCE FORM:
Dance is an ancient and revered Indian art form that is traditionally linked to mythology and classical literature. Historically, accomplished artists were a matter of prolific pride among royal houses; the quality of their respective dance troupes was at one stage the cause of intense competition between the maharajas of Mysore and Travancore. Between the 2nd and 8th centuries, trade between South India and Southeast Asia brought a cultural legacy that endures in the dance forms of Bali (Indonesia), Thailand, Cambodia and Myanmar (Burma). Today dance-classical, popular and folk-thrives on city stages, on the cinema screen and in towns and villages throughout South India.
India has a very rich tradition of classical dance. Each form has its own specialty & grace, along with a set pattern of costumes & make-up. Today the acknowledged classical styles are:
1.
Bharatanatyam, is a classic dance form originating in Tamil Nadu, a state in South India and is the known as the Indian National Dance. This dance form is a 20th century reconstruction of Cathir, the art of temple dancers. Cathir in turn, is derived from ancient dance forms. Bharatanatyam is usually accompanied by the classical Carnatic music. Bharatanatyam is considered to be a fire-dance - the mystic manifestation of the metaphysical element of fire in the human body. The movements of an authentic Bharatanatyam dancer resemble the movements of a dancing flame
2.
Kathak, originated from Northern India. This dance form traces its origins to the nomadic bards of ancient northern India, known as Kathaks, or story tellers. These bards, performing in village squares and temple courtyards, mostly specialized in recounting mythological and moral tales from the scriptures, and embellished their recitals with hand gestures and facial expressions. It was quintessential theater, using instrumental and vocal music along with stylized gestures, to enliven the stories.
3.
Kathakali, is a highly stylised
classical Indian dance-drama noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's southern state of Kerala during the 16th century AD, approximately between 1555 and 1605, and has been updated over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.
4.
Kuchipudi (pronounced as ‘Koochipoodi'), is a Classical
Indian dance form from Andhra Pradesh, a state of South India. The movements in Kuchipudi are quicksilver and scintillating, rounded and fleet-footed .Specifically there is the Tarangam of Kuchipudi which is unique in that the dancer must dance upon a brass plate, placing the feet upon the raised edges. The dancer moves the plate with much balance as the individual is traditionally dancing on the plate with two diyas (small oil-burning candles) in his or her hands while balancing a "kundi" (small vessel) containing water on their head. At the end of the dance, typically, the dancer extinguishes the candles and washes his or her hands with the water from the vessel.
5.
Manipuri, dance is one of the major Indian classical dance forms. It originates from Manipur, a state in north-eastern India on the border with Myanmar (also known as Burma). The traditional Manipuri dance style embodies delicate, lyrical and graceful movements. The feet move is viewed as part of a composite movement of the whole body. The dancer's feet are neither put down nor lifted up at the precise rhythmic points of the music but rather slightly earlier or later to express the same rhythmic points most effectively
6.
Mohiniyattam, is a traditional South Indian dance form Kerala, India. It is a very graceful dance meant to be performed as a solo recital by women. The term Mohiniyattam comes from the words "Mohini" meaning a woman who enchants onlookers and "aattam" meaning graceful and sensuous body movements. The word "Mohiniyattam" literally means "
dance of the enchantress".
7.
Odissi, is one of the classical dance forms of Originates from the state of Orissa, in eastern India. The classic treatise of Indian dance, Natya Shastra, refers to it as Odra-Magadhi. It is particularly distinguished from other classical Indian dance forms by the importance it places upon the tribhangi (literally: three parts break), the independent movement of head, chest and pelvis, and upon the basic square stance known as chauka.
8.
Sattriya, the core of Sattriya Nritya has usually been mythological stories. This was an artistic way of presenting mythological teachings to the people in an accessible, immediate, and enjoyable manner. Traditionally, Sattriya was performed only by bhokots (male monks) in monasteries as a part of their daily rituals or to mark special festivals. Today, in addition to this practice, Sattriya is also performed on stage by men and women who are not members of the sattras, on themes not merely mythological.
The true traditional Indian dance, it has to be stated clearly, is not a vulgar form of entertainment but a sacred ritual that is supposed to bring the rasanubhava (catharsis, or spiritual upliftment) to the rasika (audience) and the dancer.
Most of the contemporary choreographers and dancers may use some of the formal traditional Indian dance technique or its elements to stage ballets presenting various themes such as nationalism, unity of religions, the sanctity of the environment, the animal rights activism, or a political party for a social cause.
http://www.eslarrenterprise.co.in/blog
Article Source:
http://www.articlesbase.com/dance-articles/traditional-indian-dance-form-5490396.html
About the Author
Completed ISC from a reputed English medium school in Kolkata in the year 2002 with 85%+. Fashion & beauty is in my blood as my mother who is sole inspiration of Eslarr Enterprise, incorporated in the year 1978 is now a renowned manufacturer and exporter of Indian Ethnic Dresses.
I have also studied kathak for 6 years while I am in school. I am experimented with whatever seemed interesting. I will try anything once. I believe that if God gives you talent, don't be ungrateful. Use it.
